Soundtrack of the Revolution: The Politics of Music in Iran

Soundtrack of the Revolution: The Politics of Music in Iran

a lecture by

Dr. Nahid Siamdoust

Postdoctoral Fellow and Lecturer, Yale University

Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians—a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper—each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran—about its future and identity, changing notions of religious belief, and the quest for political freedom.

Bio:

Nahid Siamdoust is a Postdoctoral Fellow and Lecturer at Yale University’s Council on Middle East Studies, at the MacMillan Center for International and Area Studies. She has taught at Oxford University and New York University, and previously worked as a journalist based in Iran and the Middle East for Time Magazine, Der Spiegel, and Al Jazeera English TV.